8/19/2023 0 Comments A breaking bad movie![]() ![]() How does he get away? Will he get away? Having said that, there’s all these details: Why’s he in this pit? Who’s this crazy blonde guy who seems to treat him very politely and yet is keeping him captive? It’s certainly a deeper and richer experience if you have seen Breaking Bad. At the end of the day, it’s not that much to comprehend: It’s a guy on the run and haunted by his past. But I think you can watch this if you’ve never seen either TV show. ![]() This maybe to a lesser degree than the other two works by itself. They have a cumulative effect when taken all together. They can be enjoyed separately, and you can watch one of them without seeing the other two, but you probably would not be getting the full experience. They all exist together in a bigger framework. ![]() But it’s not necessary, just as Better Call Saul is not necessary to Breaking Bad, Breaking Bad is not necessary to Better Call Saul, and this movie is not necessary to either of them. How it exists within the greater universe of Breaking Bad and Better Call Saul is that it all fits together very well. How do you feel the movie exists relative to Breaking Bad, then? In the same way that Better Call Saul relates to the original show? So on the one hand, you feel the story of Breaking Bad is complete. So it was taking all this excellent input from Peter Gould and our writers. Also, I was bouncing ideas off the Better Call Saul writers, many of whom had worked on Breaking Bad, and they were saying, “I don’t know if you should call it ’63.’ It implies that Breaking Bad, we left something on the table, that it was not complete.” They said this should feel like a new chapter. ![]() It’s not really cost-effective to put a crew together to do one hour’s worth of story. And then that morphed into a two-hour movie. And it’s maybe 15 or 20 minutes long.” That quickly morphed into an hour-long episode. We’ll call it ’63,’ like the 63rd episode. When the 10th anniversary of the show came along last year, I started to think, “Maybe we get a little money from Sony and we do a mini-episode. He’s such a pleasure to work with, such a wonderful actor. I’ve been feeling that way for six years now. How’s he going to pull this off? I would wrestle with it and say that it’s up to the individual viewer what the best ending for Jesse Pinkman is: Did he get away? Did he not? But as time went by, I thought, first of all, “I would like to play with that some.” And secondly, I’m always looking for an excuse to work with Aaron. He’s no Gustavo Fring he’s not a criminal genius. He’s gonna get away.” But as the months and the years progressed, I found myself daydreaming about, “Well, how exactly would he have gotten away?” He’s a pretty street-savvy guy, but he’s no Walter White. I want to believe he’s going to get to a better place. As I was writing the final episode of Breaking Bad, I couldn’t help but wonder: Where was Jesse driving to? At the time, I thought, “It really doesn’t matter. When did you first get the idea for El Camino? White’s, and a lot more (with full spoilers for the film). Here, Gilligan talks about how what “started off as a bit of a trifle” became a feature-length film, why certain characters came back and others didn’t, how Jesse’s outlaw style differs from Mr. (*) Though, as Gilligan notes below, one of the story choices he made in El Camino was to address the many Breaking Bad fans who didn’t take the show’s final shot of Walt as closure after all. El Camino goes into more detail about what Jesse does after escaping the Nazi compound with Walt’s help - and gives him the same level of closure that the series finale provided Walt(*) - but the fundamentals of his story, and the larger Walt-and-Jesse partnership, were already resolved at the end of those 62 hours of television. But that comment was less about diminishing the quality of El Camino - a genuinely thrilling sequel film that tracks Aaron Paul’s Jesse Pinkman in the immediate aftermath of the Breaking Bad series finale - than about acknowledging the completeness of the original show itself. Despite having created one of the greatest TV series ever, and its shockingly wonderful prequel, Better Call Saul, Gilligan can be self-effacing to a fault. This was Vince Gilligan, late in a long phone conversation about El Camino: A Breaking Bad Movie. “This is probably not something I should be saying to you, but this movie, strictly speaking, does not need to exist.” ![]()
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